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 Bringing a touch of mystery, a pinch of hope and a heap of class in to a marketplace awash with
brash ‘show and tells’, Lorde is a genuine, gentle phenomenon. Sufficiently well schooled in the
principles to take pop music apart stitch by stitch, and re-assemble it to her own specifications, Ella
Yelich has turned heads, defied preconceptions and made an indelible impression across the
globe with Royals, Team and Pure Heroine. The story of how a Kiwi schoolgirl concocted her own brand of sophisticated, observational and
                              distinctive pop music, and took it to the world, has become so ubiquitous it has almost become a
                              cliche - but it bears some repeating. Taken on by Universal at the tender age of 12, on the strength
                              of an amateur video and some very good instincts, Ella spent the following years establishing and
                              developing her craft, and finding her musical feet. When she linked up with producer and co-writer
                              Joel Little, she found a kindred spirit and a musical catalyst, who was able to help translate her  razor
                              sharp lyrics and melodic sensibilities into something truly special.
 If there were ever any doubts, they were soon dispelled as Royals and the entire Love Club EP
                              became a viral phenomenon, first in NZ, then all over. With international deals in place even before
                              local commercial release, the song sublimely captured the zeitgeist of 2013, and the oxymoronic
                              nature of our celebrity fixated society. Ironically Royals would also transform her from untypical observer
                              to unlikely contender, and celebrity in her own right, as it took a 9 week residency at the top
                              of the Billboard charts, and achieved multi-platinum success in a multitude of territories.
 The release of her, by now ravenously awaited, debut album Pure Heroine, in September 2013,
                              added further substance to the extraordinary success - scaling the US Top Ten, and once again
                              amassing a veritable mountain of platinum sales around the world. From best kept secret to a decidedly
                              different kind of international superstar in a matter of months, Ella had to decline the school
                              ball, in favour of the likes of the Grammy’s (though she still wore her school shoes) where she was
                              awarded Best Song Of the Year and Best Pop Solo Performance, The Brits (Best International
                              Female Solo Artist) and a swag of NZ Music Awards.
 If success has changed her, it isn’t showing. She remains the same straight forward, unique,
                              smart, spirited individual, who initially insisted on sharing her songs and thoughts with the world for
                              free - and ended up on the cover of Rolling Stone, Billboard and Teen Vogue as a result. Going
                              from a first show in a tiny Auckland club basement, to a sold out American tour and top slots at the
                              likes of Coachella and Lollapalooza in little more than a year - Ella has been subjected to the kind
                              of attention and scrutiny that would phase even the most hardened showbiz veteran. Somehow
                              she wears it like a natural, maintaining her integrity and never compromising her authenticity and
                              honesty, no matter the setting.
 Cut from a very different cloth to the people now ranked as her contemporaries, Lorde has carved
                              out her own space, one where her artistry will be able to grow and develop, as she continues on
                              with this fantastic voyage.
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